Whereas the lyrics don't fully capture Gloria's psychology, the video depicts the character suffering from a similar mental illness as her mother's. As such, the Lumineers deliver the album with compassion and clemency. But in the Lumineer's III, the band examines the effects of addiction across the fictional Sparks family. The tale is grounded. The Lumineers, “III” (Dualtone Music Group) Films, movies, television, books: They all tell stories that allow audiences to see glimpses of themselves. One of the best album contenders for 2019. AllMusic Review by Stephen Thomas Erlewine [+] III is a prosaic title for a release as ambitious as the Lumineers ' third effort. If this were released in the 70’s, it would have topped the charts for weeks. This theme continued with their second album in 2016, which was partly inspired by an eccentric taxi driver, the titular “Cleopatra,” whose life story had a profound effect on the band’s lead singer Wesley Schultz. Genres: Folk Pop, Folk Rock, Americana. 20 Virginia Tech, Michael Mutersbaugh remembered for generosity, optimism, Five observations from Duke men's basketball's first half against Virginia Tech, Duke reports 34 new positive COVID-19 tests for students, 28 for faculty and staff out of 10,287 total, Duke alum to lead Biden's COVID-19 response. The album ends with the track "Salt and the Sea" avowing addiction as a disease rather than a problem of will. III is a cerebral and disquieting portrait of addiction. The video, which screened as a whole at the Toronto International Film Festival, is fearless and authentic. Just over a year ago on September 13, 2019, The Lumineers released “III” after teasing it on social media and releasing the single “Gloria” in April. Moreover, "Gloria's" tempo is reminiscent of Donna's periods of frenzy and inactivity, a commonality engendered by so many grappling with addiction. The concept album tells the story of a family dealing with alcoholism in three distinct acts, each featuring around three songs. The album concludes with the narrative of Jimmy Sparks, Gloria's son, and Junior's father. The Lumineers – III (Album Review) Posted at 09:57h aLfie vera mella cryptic rock, CrypticRock, Music reviews, News, Reviews 0 Comments. Schultz's voice is again harrowing as he repeats, "My cell / My pretty little cell / All alone." Discover releases, reviews, credits, songs, and more about The Lumineers - III at Discogs. Now, The Lumineers have blown that formula of catchy inoffensiveness to pieces. My favorite is not Gloria, the lead single, it’s Jimmy Sparks. They take the stringed sensibilities and emotional sensitivities of Americana music and, somehow, make it feel like Top 40/ mainstream radio. The Lumineers have always had a knack for narrative songwriting. The Lumineers have told their own story in "III," a 10-track concept album composed of three chapters that follows the fictitious Sparks family. The album ends with Junior bitterly abandoning his father: “The old man waved his hands with tears in his eyes, but Jimmy's son just sped up… ‘cause it’s me or him.”. With Anna Cordell, Nick Stahl, Charlie Tahan, Joshua Close.  twitter. At first, "Gloria" sounds misplaced, but in actuality, the song aptly depicts the psychological contours associated with addiction. Buy The Lumineers's album titled III. ... Use up arrow (for mozilla firefox browser alt+up arrow) and down arrow (for mozilla firefox browser alt+down arrow) to review and enter to select. Three generations of the same family grapple with addiction and inherited trauma in this cinematic rendering of the latest album from American folk-rock band The Lumineers. The independent news organization of Duke University. While it seems that the band’s artistic progression may have stalled, their new album may be worth checking out — even if only to appreciate a new concept album in an age where they are few and far between. The jingly chords and catchy lyrics are unlike the rest of the album's bleak and minor-chord driven music. Her songs, including “Gloria,” explore how her alcoholism affects the relationship between her and her children: “Gloria, you crawled up on your cross; Gloria, you made us sit and watch; Gloria, no one said enough is enough.”, The second chapter concerns Gloria’s grandson, Junior Sparks. PopMatters have been informed by our current technology provider that we have to move off their service. We are moving to WordPress and a new host, but we really need your help to fund the move and further development. The Lumineers – III (Album Review) September 13, 2019. Considering its tone, lyrics like “I took the poison praying you'd feel it too” and “Wrapped my neck and prayed that you’d feel the noose” might make listeners do a double-take. And those consequences are never good. The Lumineers’ latest record “III” is an ambitious third offering that has been rolling out in chapter-like EPs since May. All rights reserved.PopMatters is wholly independent, women-owned and operated. As such, the Lumineers deliver the album with compassion and clemency. Album Review: The Lumineers – “III” Ryan Feyre September 19, 2019 For their latest album, The Lumineers follow the old adage of “three times’ a charm.” The project’s title is III … III is a cinematic album undertaking a complicated subject. Their newest album, III, is a glorious explosion that reminds fans what folk rock is really about: unflinching storytelling.The new project follows one family's story of addiction through three generations. Unlike the band’s iconic folk-infused ballad “Ho Hey,” it is unlikely any single song from “III” will be stuck in your head for the next few years. Rated #1249 in the best albums of 2019. It’s an amazing record! The Lumineers’ third effort is a difficult one to take in. SHARES. Both women are defined by periods of mania followed by inactivity, all extenuated by heavy drinking and dangerous behavior. His life is defined by suffering, violence, and mental illness. It was a momentous undertaking, but not one that Schultz and Fraites necessarily intended to attempt with this album. “Democracy” is so in-the-vein in its execution that it’s a shame it’s only a Bonus Track, even if it is a cover. The subsequent "Life in the City" and "Gloria" shifts the lens to Donna's daughter Gloria Sparks. As such, the Lumineers offer a thoughtful and compassionate portrait of addiction's cycle. Junior is positioned as a character that demands empathy when he laments "Fate has dealt me a lonely blow" in "Leader of the Landslide". ‎The Lumineers: III (2019) directed by Kevin Phillips • Reviews, film + cast • Letterboxd III is a cerebral and disquieting portrait of addiction. The Lumineers have told their own story in “III,” a 10-track concept album composed of three chapters that follows the fictitious Sparks family. The album is accompanied by a short film, scenes from which also double as music videos. T he Lumineers’ third full-length studio album, aptly titled III, is as much of a cinematic masterpiece as it is a masterpiece of an album. On their third album, cleverly titled “III,” The Lumineers continue their tradition of storytelling on a much more ambitious, personal scale. The Lumineers broke up the story telling by splitting III into three parts, the final of which will be released on Sept. 13, along with the album as a whole for the first time. Here the band is explicit, almost heavy-handed, in establishing the album's interconnections. The Lumineers have this uncanny ability to make folk songs sound like pop ones. The Lumineers foreshadow Junior's sorrowful existence in Donna's narratives when it's established she "always hated the name, Junior". facebook Weezer's inconsistent career continues with mediocre 'Black Album', 'A Brief Inquiry Into Online Relationships' showcases the 1975's growth, Recess reviews: Led Zeppelin's 'BBC Sessions', Don't Tell Mother is Durham's best-kept secret, TECH-NICAL DIFFICULTIES: Duke men's basketball's comeback attempt falls short at No. Gone are the days of the Lumineers' pop-standards and monosyllabic earworms. Many stunning songs from their self-titled first album, which projected them into the center of the indie music scene in 2012 with the hit single “Ho Hey,” are stories at their core. Through "Jimmy Sparks" listeners learn that after Junior was born "the mother had other reasons to live / She left the baby with a note on the bed". What III does accomplish very effectively is showing us the consequences of a parent’s addictions on his or her children. Photo: Danny Clinch / Courtesy of the artist, The Beatles 'Let It Be': So Good They Ruined It for Everyone - PopMatters ›, The Lumineers - North American Tour 2020 ›, The Lumineers (@thelumineers) | Twitter ›, The Lumineers (@thelumineers) • Instagram photos and videos ›, Elvis Costello Gets Dark and Brooding on 'Hey Clockface', Popular Culture Is Eating Its History and OMD Are Not Complaining, Shanghai Restoration Project Offer Innovative Alternate Reality on 'Brave New World Symphony', Maxwell Stern Gives Us a Warm Car in Frigid Winter with 'Impossible Sum', Susan Alcorn's 'Pedernal' Is a Chamber Jazz/Americana Blend, MetalMatters: The Best Metal Albums of December 2020. The image of a deserted child is frequently re-emphasized in the music video. The fictional Sparks family stumble through a harsh life, meeting addiction, violence, misogyny and desperation along the way. Although it is heavy with both emotion and story, it is far from a flawless album. Three generations of the same family grapple with addiction and inherited trauma in this cinematic rendering of the latest album from American folk-rock band The Lumineers. The tale is grounded. This is particularly true for lead singer Schultz and drummer Jeremiah Fraites; Schultz was childhood friends with Fraites’ brother who died as a result of his destructive alcoholism. Lumineers co-founder Jeremiah Fraites said "This collection of songs worked out in a beautiful way, and I feel with this album we've really hit our stride." Indeed, they mostly earn some semblance of that title. It’s simple, yet complex, lyrics are very touching and clever, music is top notch, you cannot skip a song. Shop Vinyl and CDs and complete your The Lumineers collection. After a more atmospheric sophomore album, any song from “III” would be right at home on The Lumineers’ self-titled debut. Click or Press Enter to view the items in your shopping bag or Press Tab to interact with the Shopping bag tooltip. Strangely, no song is particularly memorable between all the rough acoustic riffs and Schultz’s signature raspy vocals. 22. The numeric title carries a double meaning: the album is a song cycle told in three parts, with the first two available as a digital EP prior to the September 2019 release of III. The next three tracks focus on Gloria's grandson Junior Sparks, battling his challenges with dependency and mental illness. Isolating a song like this from the rest of the album makes one realize just how disappointing many of the tracks are alone. While built around an interesting concept, the product ultimately leaves more to be wanted. As well as being the Lumineers' third album, the album title also references that the album is presented in three chapters, each focusing on a different main character of the fictional Sparks family. In the song “Leader of the Landslide,” he describes how Gloria “drank the whole bottle, forgot my name; all I ever wanted was a mother for the first time,” coming to the angry conclusion that “maybe when she's dead and gone I'll get some sleep.”, In the album’s third chapter, the cycle comes full circle: just as Gloria’s alcoholism ruined her relationship with her kids, her son Jimmy lets his alcoholism stand between his relationship with his son, Junior. There are bands that can really pull off a powerfully bitter breakup song — The Lumineers, however, are definitely not one of those bands. With two platinum albums already under their belt, expectations are high for alternative folk outfit The Lumineers, who are touring in support of their latest studio album III. It’s a musical, artistic puzzle and short movie, all packaged into one. When Gloria is succumbing to her addiction, infant Jimmy is often depicted crawling through the house alone or sitting next to his mother's incapacitated body. The Lumineers’ III is a visual exploration of the band’s third and latest album. The underpinnings of addiction are impossible to identify. Danny Clinch /Courtesy of the artist The Lumineers have taken their latest album, III, as an opportunity to shine a light on a topic that's close to many of the members' lives — addiction. Over the course of his three songs, Junior comes to the bitter realization that he should not be idolizing the members of his family that have fallen into the hands of alcoholism. III is accompanied by a ten-part music video, essentially a short film, directed by Kevin Phillips, creator of Netflix's "Super Dark Times". In III, the Lumineers tackle addiction emphatically, from a very deeper place inside heart. © 1999-2020 PopMatters.com. Junior's narrative reestablishes addiction's cyclicality with references to being in eighth grade and "you spiked the Gatorade / And it was all for, for the weekend" as heard in "Left for Denver". The first chapter of the album’s story deals with Gloria Sparks, the alcoholic matriarch of the Sparks family. It’s evident how much thought, effort, and creativity went into creating this album. Pretend It's a City Proves Once Again, You Can't Argue with Fran Lebowitz, Beauty and Horror in George C. 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As Fraite explained in an interview with NPR, “With drug addiction or alcoholism it really affects the individual and then it has a sort of fallout effect — similar to the effects of a radiation bomb — over time and over years and years, it continually tends to affect people's loved ones.”, While “III” presents an interesting and personal concept, listeners still might find the album a little gimmicky. But "Gloria" presents a facade; the buoyancy is akin to an addict's attempt at hiding their addiction with fabricated happiness. Throughout, Junior's longing is palpable, especially when he expresses the heartfelt plea for "a mother for the first time". Genre: Folk Pop. III and the accompanying music video are culturally important points of contact with the realities of addiction. In III, they continue to make quietness and self-reflection feel like constant desires. The complexity associated with addiction and those suffering from the disease is so vast, lesser musicians would shy away from undertaking the subject. The Lumineers have told their own story in “III,” a 10-track concept album composed of three chapters that follows the … The mania exhibited by Gloria and Donna reappears in Jimmy's pressured speech. III and the accompanying music video are culturally important points of contact with the realities of addiction. Music Reviews: III by The Lumineers released in 2019 via Decca Records. Schultz's vocal delivery is emotive, thereby creating an affinity between musician, character, and listener. To make art with a topic so painful, such as watching someone close to you battle alcoholism, is difficult. I highly recommend both the album and short film III to anyone who likes The Lumineers, but especially to people who don’t really like or know much about them or their music, because this album is arguably their best yet, and this film truly enhances the experience of listening to the album. On their third album, cleverly titled “III,” The Lumineers continue their tradition of storytelling on a much more ambitious, personal scale. Gone are the days of the Lumineers' pop-standards and monosyllabic earworms. Take, for example, the song “It Wasn’t Easy to Be Happy for You,” from the album’s especially shaky second chapter. The Lumineers III album review The Lumineer’s third studio album titled III is not just a an album. III really captures that pain and struggle in a way that’s not negative, but rather empathetic and realistic at the same time. This multigenerational tale of woe follows a family that is, at its core, extremely dysfunctional. The Lumineers - Left For Denver (Part 6 Of 10) III is a concept album, based loosely on Schultz’s own family history. Share and discuss “Third time is not the charm on The Lumineers’ ‘III’” on social media. Subscribe to our weekly email about what's trending at Duke. Released 13 September 2019 on Dualtone. III, an Album by The Lumineers. III is a cerebral and disquieting portrait of addiction. The Lumineers III — the band obviously likes their album titles short and to the point — maintains the group’s fondness for providing hushed melodies that quietly build, billow and then conclude with majesty and grace. The … 10/10 The theme of isolation is revisited in the melancholic "My Cell". However, The Lumineers’ ambition for “III” is not without any merit — it’s an album of charming, albeit thematically bleak and often forgettable, acoustic tunes. Jimmy is an abuser, chronic gambler, alcohol, and pill addict. Songwriters Wesley Schultz and Jeremiah Fraites tell the story in three chapters following three generations of one family all within the folksy and poetic tone that makes them The Lumineers. As such, the album might seem inaccessible to some, schmaltzy to others. The album opens with the eponymous " … The Lumineers III Editorial Reviews Two-time GRAMMY-nominated band The Lumineers are back with their third album, III, a cinematic piece presented as a narrative in three chapters, with each one centering on one main character. Is Christian Petzold's 'Undine' Myth or Therapeutic Dialogue? From just listening to the album, some listeners might be able to mitigate the weight of the Spark's addiction. Gone are the days of the Lumineers' pop-standards and monosyllabic earworms. While also not connecting with the overarching narrative and theme, it carries a strange sentiment for what sounds like a lighthearted acoustic number. Directed by Kevin Phillips. The Lumineers present a self-assured sound that seems to demand consideration as the new folk classics. The album opens with the eponymous "Donna", the mother to the main character, Gloria Sparks. There is no emotional reprieve in III. That said, most of the songs maintain a decidedly hollow-eyed sound, one that requires the listener to lean in and patiently wait for the songs to reach a crescendo. Donna is a woman battling alcoholism and mental illness. Gloria, based on Wesley Schultz's family member, is ravished by alcoholism. While the Sparks family of the album is fictional, the concept is rooted in the band members’ real-life struggles with cyclical addiction. The narrative can be powerful at moments; however, the songs fall flat when divorced from the album’s overarching story. Both Gloria and Donna embody the intricacies of struggling with illness while fully illustrating the repercussions of alcohol dependency. 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